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01-6 京都教育大学紀要. A, 人文・社会 >
No. 90 (1997) >
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http://hdl.handle.net/123456789/3768
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| Title: | 18世紀初頭の狩野派と永伯の動向 |
| Other Titles: | A Tendency of Kano School and Eihaku in the Early Years of the 18th Century |
| Authors: | 脇坂, 淳
WAKISAKA, Atsushi |
| Keywords: | 狩野永伯
京狩野
狩野派
京都画壇
Kano Eihaku
Kyoto Kano School
Kano School
Kyoto art circles |
| Issue Date: | Mar-1997 |
| Publisher: | 京都教育大学 |
| Citation: | 京都教育大学紀要 Bulletin of Kyoto University of Education |
| Series/Report no.: | No.90 |
| Abstract: | 18世紀の京都画壇が語られる時，与謝蕪村や池大雅，伊藤若冲や曽我蕭白，そして，円山応挙たちが華々しく登場する。彼らの活躍は日本絵画史上に明記されて光り輝くが，それはあくまでも18世紀後半のことである。ところが，18世紀前半についてはあまり顧みられず，とりわけ，京狩野の状況に関して影が育い。そこで京狩野5代目の永伯に焦点をあててみた。永伯が内裏障壁画制作や各派秘伝書の公刊にいかに関わっていたか。そこから導き出される師弟関係のあり方も興味深い。また，永伯の数少ない作品を通して，彼の画風が何故に没個性的であったかを検証する。それは江戸狩野の規範になっていた探幽様式を取り入れることで時代の要請に応え，京狩野の命脈を保たざるを得なかった点でもある。ひいては伝統と地域性に根差した，しのぎの営為を垣間見ることになろう。ほとんど不明であった永伯の実像に，いくらかは迫り得たものと思われる。
When we talk about the Kyoto art circles in the 18th century, Yosa Buson, Ikeno Taiga, Ito Jakuchu, Soga Shohaku and Maruyama Okyo immediately come to mind. Their brilliant activities are written of in Japanese painting history and occurred in the second half of the 18th century, not in the first half. The activities of the Kyoto art circles in the first half of the 18th century have been slighted, especially the situation of the Kyoto Kano School of this period. Therefore I would like to focus on Kano Eihaku who lived in the first half of the 18th century. And will examine how Eihaku took part in making works of screens and wall paintings for the emperor's quarters and how secret textbooks of respective schools were published and what the relationship between master and disciple was. I would like to verify that Eihaku's paintings were lacking in individuality by dealing with a few paintings done by him. It was that he could grant people's requests in this period by adopting the Tanyu style which was a model of the Edo Kano School and he had to keep the life of the Kyoto Kano School. Consequently, we will have a glimpse of his occupation coming from the tradition and regionalism in Kyoto. Eihaku's real image that previously has not been well known will become clear to some extent through this paper. |
| Description: | 京都教育大学紀要,No.90(1997) p.305-316 |
| URI: | http://hdl.handle.net/123456789/3768 |
| ISSN: | 03877833 |
| Appears in Collections: | No. 90 (1997)
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